When writing, the worst thing you can do is break flow. The same goes, really, for any creative process. One word leads to the next. Ideas follow only for the momentum. They materialize because they must. If you blank out on a word or can’t solve a problem right away, make a note and keep going. Don’t miss the one… beat. If you can’t find the phrasing you want, use any phrasing. Skip it. If you can’t boil down a thought, don’t. Just go. If you don’t know what you’re talking about, all the better. Just go. These are all just details. They’re editing. Don’t confuse writing with editing. They’re two different mind states, that cancel each other out. They aren’t compatible, and you can’t do both at once. There will be a time for editing. That time is later. Always later.

Stasis is death. Even a short pause is danerous. Even a small heart attack can be enough to kill.

All creation consists of two steps: dumping and arranging. Each is a skill that can carry a work on its own, and somewhat hide the deficiencies of the other. Neither should have to, of course — but that’s how things go, sometimes. (Now I just skipped back a phrase to fix a word and can’t remember what I was saying. What was I saying? Now I just skipped back to add parentheses. Now I’m even more lost.) Oh, right.

In film, there’s the filming (and all that consists of), and there is editing. There is composition, and there is arranement. There is writing and there is editing. You throw down all you’ve got, recklessly; then you make some sense of it all. You pretend that you knew what you were doing; that there’s a real order to all of this nonsense.

Some would insist on a third step: that of preparation. These are the people who think you can study for an SAT. Outside some vague templates, you can’t prepare if you don’t know where you’re going — and in a creative process you never know where you’re going because the act of outputting in itself leads you in directions you would never have been clever enough to have anticipated; more organic directions than you ever could have calculated. You can only prepare when you know what you face — which makes it a subsect of editing. Arrangement, preparation: they are one in the same. They bring lucicity to the irrational.

I need a schedule. I had one, once. And it kind of worked.

My mind is most prone to make interesting mistakes when I have warmed up my consciousness for a dozen hours or more. The house is most prone to quiet when no one is awake. I sleep best when I have accomplished something. It is the relief of excretiion. Perhaps from midnight to four.

This counts as today’s. Tomorrow, I pick up something I have left sitting for three days. And I finish it.