Of course, the counter argument (indeed, Jefferson’s own) is that stasis is neither constructive nor desirable. Copyrights originally existed for only a short term, giving the author a temporary monopoly over the material he has created, as a necessary evil in order to ensure some due compensation to the author and thereby to encourage him to continue producing and adding to the cultural discussion.
What copyright was never meant to do was to reward a person for squatting on a creation for the rest of his life, both stifling the exchange of ideas and providing no particular incentive to the creation of new ideas. If you’re still raking in the money from something you did twenty years ago, and are living quite comfortably, where’s the active encouragement to keep contributing?
Yet, especially with the recent concept of “intellectual property”, that’s exactly what copyright (and trademark and patent) law has come to represent. And to a certain extent, that is troubling. On the one hand, you’ve the argument that Mr. Ayres gives here — that, in a sense, once you’ve uncorked the bottle you’ve responsibility to it forever. On the other, there’s the concept that (as phrased by someone famous) everything has its time and everything dies. For instance, what does Betty Boop really mean anymore? She was a caricature of things in popular culture at the time she was created. Today, there’s no context for the character; she’s just a random icon who lives on beyond her natural expiry date because she was once considered valuable.
Perhaps in the future she will be valuable again in a different context, if reinvented by someone else to represent something new. As long as she’s mired up as a piece of property, though, that is far less likely to occur. Neither will she be allowed to simply sink.
Modern culture is something of a zombie — an animated corpse, built of expended ideas kept in play because nobody can afford to let them drop. Partially as a result, it’s harder and harder to create anything new without infringing on what’s come before and drawing someone’s ire and lawyers. The emphasis is, it could well be argued, in exactly the wrong place: toward maintaining arbitrary infrastructure rather than toward growth and change.
Exactly.
It’s exacerbated by copyright owners — especially companies, although individuals too — stamping out any and all ‘violations’ just on principle, without thinking twice about why they’re doing it. Owning the copyright to a character (for instance) doesn’t mean that no-one else is allowed to use that character — it means that you get to decide if others are allowed to use that character. You can choose to let them, if you want!
It’s a tired example, but, how about the tolerance for — even encouragement of — fan doujinshi here in Japan, huh? Seems to work out pretty well for everyone.
Dave Sim — despite being a nutjob — has exactly the right idea, I think: He’s basically promised not sue anyone who cares to rip off Cerebus (he believes he wouldn’t need to, since his Cerebus will always be the best Cerebus), and has willed it that upon his death, all of his copyrights will enter the public domain. That’s… you know — that’s healthy.
Companies like Disney (to pick the worst offender) want to have their cake and eat it too: They want Mickey Mouse to be a cultural icon; a symbol — but they don’t want the culture to then use that symbol. Thus rendering it sterile, of course. Neutering their own influence and relevance.
(It’s a similar thing to Adobe and Google getting annoyed at people using ‘photoshop’ and ‘google’ as verbs. Guys, do you want to be ubiquitous, or not? Make up your minds.)
So. What we end up with is the empty shell of Bugs Bunny trying to entertain an audience that couldn’t give a fuck, mostly because the people writing and animating him couldn’t give a fuck either. The people who gave life and breath to Bugs Bunny are dead. They were inspired by real-life rabbits and ducks and pigs and critters from their childhood. Most ‘creators’ at Warner Bros. now have probably never seen a wild rabbit.
You know what the kids love? Hell, what I love? Spongebob. Is it a coincidence that Stephen Hillenburg is a marine biologist? No.
Fuck, even Warner Bros. had Pinky and the Brain, which was awesome. Because it was new, and it meant something to the people making it.
Hell, man, have you seen the Spongebob movie? Best animated movie in years and years; I’m so serious. Straight from the fucking heart, that movie.
Sorry… where was I?
Oh yes. The essence of the problem is copyright owners believing, with incredible arrogance, that their copyrights are more important than the development of a culture. Making a living is one thing, but — well, let me give an example:
Anyone should be able to download a copy of, say, ‘Beat It’ by Michael Jackson. Or, even better, ‘Enter Sandman’ by Metallica. Both of those songs are so culturally important that any member of the culture should be able to hear them. No-one should be robbed of ‘Beat It’ just because they can’t afford the CD. It is, put simply, more important that a person can listen to the song ‘Beat It’, than it is that Michael Jackson receive a dollar from that person.
Michael Jackson’s not a struggling artist. With struggling artists, the rules can be different. Blanket rules for all humanity never, ever work. It’s all about using common sense, rather than furiously clinging to the letter of the law.
I, er… I can’t remember if I had a major point.
I couldn’t agree more. Only commenting to ask where you were crossposting this from, as I’d like to read the other side of the discussion.
Some companies that hit the hardest with lawsuits have themselves depended highly on the public domain for their success in the first place. e.g. Disney making new versions of old fairy tales.
They have made huge withdrawals from our cultural heritage, but nobody’s willing to make deposits into it. And that’s what the argument comes to in the end.
Those that really pay the price though, are things by lesser known artists/writers etc, that will probably be lost to history before coming into the public domain, thanks to the absurdly expanded copyright laws.
It’s from the Restoration Team forum (www.restoration-team.co.uk). Probably it’s scrolled a couple pagedowns down, by now. The title should be obvious! Don’t remember what, exactly, though. Something about copyright. Don’t know if anyone responded, either.
This was in response, actually and maybe presumptuously, to Mark Ayers, a composer from the McCoy era of Doctor Who and the guy who cleans up the sound on the DVD releases.
Re: deposits/withdrawals: Hardest nutshell ever. Well done.
Yeah, that’s a good way of putting it. Really good.